As members of the Healing Arts Commission, we are proud of the expansion of the Healing Arts Program since it began in 2014. We are honored to help create spaces throughout St. Joseph Healthcare that support healing, recovery and wellness for patients, employees and the community. We hope you enjoy!
Jean Deighan is exhibiting at St. Joseph Internal Medicine, The Gallery at 900 Broadway until June 29, 2025.
Jean Deighan, a retired attorney and investment advisor, transitioned to painting after her career. Coming from a family of professional artists and collectors, she was immersed in the world of art from a young age. She followed her passion and began painting, participating in workshops with renowned Maine artists and studying studio art at the University of Maine. There, she benefited from both expert professors and the inspiration of talented undergraduate students.
A lifelong sailor, Jean often paints scenes from her favorite places, especially the anchorages and trails of Penobscot Bay. Her collection, Little Maine Poems, features smaller coastal Maine paintings paired with some of her original poems.
Sarah Faragher is exhibiting at St. Joseph Healthcare, The Hospital Lobby at 360 Broadway until June 29, 2025.
Sarah Faragher, a painter based in midcoast Maine, was born and raised on the coast. She studied art history and painting at Colby College and the University of Maine. Sarah has attended residencies at Weir Farm National Historic Park, Acadia National Park, Monson Arts, and Great Spruce Head Island. Her work has been featured in Drawing New Audiences, Expanding Interpretive Possibilities: Artist-in-Residence Programs of the National Park Service (U.S. Department of the Interior, 2009) and was selected for the 2011 Portland Museum of Art Biennial. She is also included in Art of Acadia by David and Carl Little (Down East Books, 2016, 2023) and Art of Penobscot Bay (Islandport Press, 2024).
In 2021, Sarah published a memoir about painting on Bear Island in Penobscot Bay, Autobiography of an Island, and is currently working on a second memoir, The Ocean of Trees. She is represented by Landing Gallery in Rockland, Littlefield Gallery in Winter Harbor, and George Marshall Store Gallery in York, Maine, and occasionally shows her work in other galleries and venues across the state.
You will find the paintings of Diana Young on the first floor of the hospital. Young remembers being an artist since she was a child, in fact, she has been “making pictures” by painting landscapes in Maine and from her travels throughout the world for nearly 50 years.
Her work leans toward line, direction, force and motion, rather than form and naturalism. For her, an outdoor place is a point of departure rather than a study in nature. She is always looking for “the kernel of a place.”
“What makes an artist? Doing art with enthusiasm for many years is the proof. What starts our looking strange may become accepted as beautiful over time and I’m hoping that happens to me. Being an artist could well be one part talent and nine parts desire.”
Young is a graduate of Rhode Island School of Design and has exhibited in regional galleries and across artist cooperatives throughout Maine. She continues to create art in her studio located in Bangor, Maine.
Her art can be seen at the Eastport Gallery in person during the summer months (June through September) and online year round. You can see a beautiful collection of her work online and available for purchase by visiting Flood Fine Art.
You will find colorful paintings by local artist Jill Hoy on the third floor of the hospital. Hoy’s work focuses on the qualities of Maine light in her plein air oil paintings. Strong composition, rhythm, gesture, pattern, energy, power of place, and soul are primary focal points.
“I’ve spent my summers in Deer Isle, Maine since I was ten years old. Deer Isle has raised me to be a painter,” said Hoy. Reflecting on the exhibit, she shares: “All of my oil paintings are done outside on location. My work captures both an intimate relationship with nature, along with the movements of wide-open spaces that allow our heart to expand.”
Hoy has exhibited her work extensively in Maine and in locations across the United States. You may have seen her work on the cover of an L.L. Bean catalog or a Down East Magazine publication. Hoy’s work is on display in more than 600 private and corporate collections throughout the United States and Europe, including The Jill Hoy Gallery, which is open for the season in Stonington, Maine.
You will find contemporary landscape paintings by local artist Nina Jerome on the first floor of the hospital. As a long-time resident in Maine, Jerome finds inspiration for her work in both natural and constructed environments, drawing and painting in series that examine visual variations of place. For her, the painting process conveys her personal direction through the land as she witnesses its light, movement, and changes.
Jerome spends the warmer months in coastal Maine, a rich visual resource with its undeveloped shoreline and wide-ranging tidal fluctuations. She has also explored sense-of-place in other Maine areas. Jerome has completed residencies on two of her favorite Maine islands – Great Spruce Head Island and Great Cranberry Island – and has created paintings for fourteen public art projects in Maine including a series for the Penobscot Judicial Center in Bangor.
This exhibit includes paintings dating from 1980 to the present. Notable series presented here are “Quiet Tension” (1995), a record of Jerome’s walks along the rocky shore in Addison, ME, “Altered Landscape” (1986), construction views of the Veterans Remembrance Bridge across the Penobscot River, “Winter Power” (2005), a series depicting the steam plume marking the location of an electricity generating plant along the Penobscot River, “From the Kayak” (2006), images of floating between sea and sky in Addison, ME, and “Homage to the Ocean” (2013), a series that wove words written about climate change into the images of the sea.
You will find beautiful images by local artist LeeAnne Mallonee on the fifth floor of the hospital right as you step off the elevator. These beautiful images, created in Bangor and Camden, showcase LeeAnne’s unique blend of analog and digital collage. Her work explores the concept of internal landscapes and the infinite ways they can be expressed.
Mallonee believes at its heart, a photograph is light and shadow, and the spaces between. It is mercurial and moody, and it illuminates the world in ways that words cannot. It is a disclosure, a deception, captured in time. Photographer Duane Michals calls it “the idea of alchemy, of making something from nothing.” Photography injects the past into the present, and explains us to ourselves.
The development of digital cameras offered Mallonee an explosion of possibilities for the kind of spontaneous, abstract art-making she loves.
Katia Mason, a Boston native with cherished memories of summers in Corea, Maine, has donated her evocative piece “Beneath the Surface 49.6.” Additionally, we have acquired two more of her works, “Beneath the Surface – BNS 52.11” and “Beneath the Surface 52.10,” with funds from the Healing Arts Fund.
Mason’s artwork, influenced profoundly by her experiences along the coast, embodies themes of comfort, healing, and inspiration. “Living on the coast, I can sit in awe of what is revealed, hidden, and carried away by the ebb and flow of the tidal cycle,” says Mason. “Beneath the Surface 49.6 is a narrative of hope and inspiration, a visual expression of MOMENTUM and what is possible when we align desire and action.”
The Littlefield Gallery of Winter Harbor, represented by Jane and Kelly Littlefield, played a crucial role in bringing Mason’s work to St. Joseph Healthcare. Their passion for fine art, education, and community commitment facilitated this meaningful collaboration. The Littlefield‘s’ dedication extends beyond their gallery walls, embodying values that align perfectly with our mission.
“Human Beings are the perfect design of mind, body, and spirit,” Mason adds. “When we are wounded, the healing process requires multiple approaches and forms of assistance to support the total system in recovering. My choice to donate ‘Beneath the Surface 49.6’ to St. Joseph Hospital was motivated by their Healing Arts Program and their commitment to support the whole person.”
Paul Black – 900 and 360 Broadway Gallery: June 27 – September 26, 2025.
For more information about the St. Joseph Healing Arts Program, please contact us.